By: Sam Rating: 9.5/10 Release: 18 May 2018 Label: Nuclear Blast OK, I am not sure if there’s such a thing as 10 when reviewing am album, so I went with 9.5!!! The long awaited Amorphis album is an absolute beauty. The band reunites with bassist Olli-Pekka Laine for this …Continue reading →
Dong Open Air 14.06.2016 – 16-06-2016 Report by Rein Great little festival in western Germany The Germans have their own words for everything. So, calling this festival a hidden gem, in German you would address it as a ‘Geheimtipp’. And that is just what this festival is. Just over the …Continue reading →
Amorphis is currently touring through Europe again with their ‘Under the red cloud’ headline tour. Last year they released their 12th full length studio album and not so long ago they toured together with Nightwish as support act.
Before their show in Tilburg Tomi took some time to talk with me about their latest album, Finland, tattoos and more.
Rating: 8,5/10 Release: 4 September 2015 Label: Nuclear Blast Records Amorphis is a band that everyone knows by now. For 25 years they traveleverywhere and brought us many many albums. After touring for the 20th birthday of the legendary Tales from the Thousand Lakes album they know how to make …Continue reading →
Photography; Ton Dekkers29-12-2014 013, Tilburg, The Netherlands In honor of the 20th anniversary of the legendary album Tales of the Thousand Lakes Amorphis has decided to do a special tour this year. The appetizer of tonight is the Swedish doom formation Avatarium. Musically it’s closest to bands like Candlemass, only …Continue reading →
By: Nick Photography by: Toni B. Gunner – www.mondkringel-photography.de For many, many years people were telling me about Rockharz, and how I just had to go there. A festival with an average size (+/- 20.000 people) and a good, diverse line-up every year. There was enough to enjoy for fans …Continue reading →
Review By: Gur Photography: Eline I was just in time able to drive to Patronaat in Haarlem. Not a bad plan, because Amorphis came by and from earlier experiences I can state this is always nice. Amorphis is busy doing their ‘Circle’ tour and Starkill is doing their support on …Continue reading →
By: Colin Location: De Pul, Uden, The Netherlands Date: 29-11-2013 I was really looking forward to this evening! One of my favorite bands, just around the corner! Starkill First this evening we got Starkill, I only knew them by their name on the flyer and didn’t really expect too much …Continue reading →
The 24th edition of the biggest metal-festival in the world and of course we are joining in this year as well. Tuesday we travel towards the Mekka of Metal to stay one week in the holy lands of Wacken Open Air.
And once more, it’s going to be a good year with big names and a lot of folk-metal.
While the official start of Wacken was on Thursday, each year the party already starts on Wednesday with 3 or more folk-metalbands which will take care of the pre-party. Fejd, with their quirky mix of traditional folk and metal-elements, played as the first band, and immediately created a great atmosphere. While the bass was put way to hard in the mix, luckily the traditional instruments could be heard quite fine. With a setlist to dream about, with an ideal mix between old and new songs, and with Offerök and Yggdrasil, this band was a really fine start of the day!
Score: 8/10 (Colin)
After that, it was Feuerschwanz with their catchy songs which entered the stage. Of course it was one big party with these men and woman, with their songs mainly themed around mead. While the sound was really good, the band looked a bit distant, and if they played the same songs too many times before. The audience obviously didn’t care, and partied, jumped and sang along with the amazingly clichéd lyrics of these Germans.
That the party would continue with Russkaja was already a fact before they even started. This Austrian ‘Kollektieve’ can turn everything into a party with their catchy mix of ska and gipsy. The band looked enthusiastic and, also pretty important, played a really, really tight set. The party was complete when ‘Psycho Traktor’ was announced, where the whole audience needed to participate in a circle-pit. That this became one big chaotic mess doesn’t need any declaration I think!
After that, it was the turn of Santiano, German pirate-folk played by way to old men. Due to last year’s success, the band was performing again this year, but this time with a set with no less than one and a half hour. This was apparently too much, because Santiano doesn’t have enough hits to cover a show of this length. After a few up-tempo songs, the more peaceful songs were played, after which the show completely lost its energy. Luckily they regained some of it with the favourite of the audience ‘Es gibt nur Wasser’, but it was already too late to save the show.
And thus ends the first night of Wacken and we all prepare ourselves for a crazy Thursday.
A Thursday starts without anything out of the ordinary, Skyling (the band of WOA themselves) gives a show with many guest-artists followed up by Annihilator, a band making a melodic kind of trashmetal. Then Thunder got on stage to give us some oldskool Heavy metal after which Deep Purple came to give us some even older metal. I’m just rushing through the Thursday, because all those bands don’t really matter today. Rammstein is the last band today, only for them the True Metal Stage was made bigger and there where no other bands on that stage the entire day.
Rammstein got the stage on fire with many pyros and fireworks that even hit the lightmasts and from there other firework was shot back at the stage which exploded and burned than fell unto the stage, Rammstein had a very complex fireshow. It’s awesome to be able to see those guys perform,but tomorrow we’ll rush back for our own genre.
Friday we finally get back to the folk-metal, but first wake up with Benighted at 11 AM, horribly crude death metal/grind core which we certainly didn’t want to miss. Than catch some Neaera, Tristania and Gojira of which none of them could really get to me. So I end up at Impius Mundi, a Medieval German Folk band with an electric guitar. Though this guitar definitely doesn’t make them rock or metal, actually Impius Mundi sounds more like bands like Versengold or Rapalje, just with a guitar and a drum. This set of instruments is getting more and more popular in Germany and I usually don’t really like it, neither did I this time, it all sounds the same.
Mr. Hurley & die Pulveraffen are the next to get up on stage, it sounds like the last band but with better songs and a better sound. I’m still not really into this music so I left to see some Powerwolf and realize I’d rather go to our tents until Sabaton, fortunately Nick had some time to check Ignis Fatuu
Ignis Fatuu.. I wished I didn’t have to talk about it, because this was just too bad to describe. Out of tune vocals, a stage presence without energy, and a setlist which wasn’t really good. No, not even with 2 new members (vocals and bass), this performance was one to quickly forget. Therefore I won’t waste any further words on this matter.
Score: 3/10 (Nick)
Here was a nice surprise, we’re used to get a lot of Black form this Messiah and the ‘other side’ of these Germans is something we see at the end of their gigs most of the time. This time they started with ‘Gullveig’, a song with somewhat more ‘fun-elements’. And this went on with songs (in random order) like, Sauflied, Soeldnerschwein, Moskau. This seemed to be the axis of the show, which was completed of course by songs like Windloni and Irminsul. Despite the fact Zagan voice wasn’t at it’s best. I appreciated the show because of the nice setlist.
Score: 7,5/10 (Colin)
With 7 podia, Wacken always serves bands, and this brings you to a lot of bands, even some you actually wanted to see so of course we went out for some Swedish Powermetal in the form of Sabaton. These men have written songs about every war in the history of earth and with every show the look more passionate and even more enthusiast than the last one. On WOA people seem to all have decided to check these guys because it was unbelievably crowded. After Sabaton it’s time for the mockery of the festival, Motörhead will play is 10 minutes in stead of 75, luckily after three songs we had decided to go to Corvus Corax anywasy.
Corvus Corax meets Wadokyo
Corvus Corax always have a special show on Wacken. Where in 2010 a whole orchestra was placed behind the band, this time they got help from Wadokyo, a Japanese drumband. Once again it seems that this band can only deliver a proper show when it’s backed up by something special, and even then it has trouble to make it into something really good, when you look at the show they played at Wacken. The first half of the set was extremely tame, but when after a while the up-tempo songs were played, the spark sprung between band and audience, resulting in dancing and pitting. Highlight of the set was that the band covered a song of Amon Amarth, namely ‘Twilight of the Thundergod’.
On WOA you definitely can’t miss Doro shine on stage and it must be said, what an amazing show she gave! As solo artist Doro celebrates her 30th anniversary this year but of course her metalcareer started a long time before that, but even after so many years, Doro loves her fans at least as much.
Amorphis is a band with two faces, a band that can do anything with music and always come up with something surprising, this time they brought an acoustic set. Sure it was a surprise, I had high expectations of these Fins but unfortunately the five acoustic songs they played where getting boring and sounded all the same, I expected much more of these guys. Than they start playing Shades of Gray, the first song of Amorphis’ new album Circle, and from there Amorphis shot a lot of great songs at us. Tommys vocals where perfect, both clean and grunt, unbelievable what sounds this man can produce. In the metal part of their set, Amorphis showed why there one of my favourite bands ever!
Score: 8.5/10 (Colin)
It’s half past one as Amorphis has to clear the stage and Saturday will be a long day, so I decide to skip Grave Digger and head for my tent.
Cleaned up everything and packed our stuff we gather at 9 PM in front of Candlemass, with a new vocalist, a lesser one than they had but still a great gig. Unfortunately we have to leave early, but Finsterforst should be worth it.
For those who love the harsher folk-metalsound, Finsterforst played the last day. With their bodies covered in mud, they entered the stage, and they performed more than fine. The band sounded really good, the audience was clapping along all the time and the songs they played were really varied. Nothing more to add, it was a damn fine show!
Score: 8/10 (Nick)
After Finsterforst Nightwish gave away an amazing show with Dutch vocalist Floor Jansen, I think this is one of the highlights of the year, wow is she a talented singer!
After the gig Nick and I split up to check out different bands,
Subway to Sally
You always know what to expect from Subway to Sally. A more than decent show, a lot of sing-alon-songs, much interaction with the audience and a lot of pyro-effects. All of this was present at the closing concert of Wacken 2013. A lot of guest-musicians entered the stage, including the guys from Santiano. The band seemingly enjoyed it, just like the audience. Together everyone partied until the early hours to give this festival it’s well deserved happy ending…
Score: 8/10 (Nick)
One week before Wacken Crematory cancelled and not much later Suidakra was confirmed as a replacement, you won’t hear me complain because this means two of my personal favourites will be at WOA 2013.
Suidakra starts with Inner Sanctum of course, the first song of their lately released album Eternal Defiance, which I reviewed a while ago. I was very delighted when Tina showed up for the female vocals. The band gave an awesome show away and the setlist included Birog’s Oath and many other amazing songs, unfortunately Arkadius vocals weren’t as good as I’ve heard before. Such a shame because the rest of the show was perfect, but I can’t rate the gig higher. Never the less Suidakra was worth the stay and I’m really looking forward to the next show.
Score: 7.5/10 (Colin)
Suddenly it’s 3 AM and we get in our car for the long way back to Holland, Wacken, we’ll see you next year!
Congratulations with the new album Circle, it is really one of the best, or maybe the best so far!
What was your inspiration for this album? And is there a reason that it sounds darker then the previous albums?
We got little bit bored of the same way of doing albums. We wanted to have change. Of course with a long career you have to keep yourself hungry to try new things and challenge yourself. We needed to get more inspiration especially for the recording process, try out different things and come up with something not so normal. Maybe The Beginning Of Times was too sterile for us? It sounds maybe too soft comparing what does it sounds live.. With Circle we needed to get new directions for the recording process and the lyrical concept. Try out different things and come up with something not so normal for us. Now we used 7th person as a producer. And that’s been a while when we did like this last time, I think it was back in 2001 at Am Universum when we last time used producer (Simon Efemey). Even thought we had a producer with Circle we still had pretty big impact on the songs and how they turn out. And we did not try to musically-wise try to change everything. The songs were made at the same way they’ve always done. Musically-wise we did not try to change everything. The songs were made at the same way we’ve always been doing. Someone brings the demo to the rehearsals and so on. We did have some sort of a feeling to make this album harder and darker than The Beginning Of Times, but I think it was more like an general intuition. Now when I listen it when its mixed and mastered its definitely heavier than previous, the keyboards are more in the background, lots of heavy guitars and ultra low bass. There is a variation all over in the music, performing and production. Overall we wanted something different, maybe more experimental. Less vocal mass and choirs. I wanted to have more real pianos and real hammonds so I recorded them with authentic instruments, even some church-organs in big church. We were looking for more aggressive sound thus everybody thought the sound in previous album The Beginning of Times could have been more edgier. Every album has its own theme. How do you come to a theme and how does it grow into an album?
So we thought now it was a time to make album with a producer outside the band. Also we discussed with each other that we could try something more modern now and our lyricist Pekka Kainulainen came with an concept which happen in the present time (or somewhere in the modern times). We read it through and actually it sounded much more interesting starting point than just another concept about an old story or classic Kalevala character once again.